If you’ve ever imagined a dystopian scene from “The Hunger Games,” it
likely resembled the recent despicable Hamas parade in Gaza City. On
Jan. 25, four young Israeli women—Karina Ariev, Daniella Gilboa, Naama
Levy and Liri Albag—were released from captivity. These young soldiers,
who had been violently abducted from the Nahal Oz base during the
Hamas-led terrorist attacks in southern Israel on Oct. 7, 2023, were
subjected to months of abuse and torment by Hamas terrorists in Gaza.
But their release was not a show of humanity. Instead, it was a macabre
pageant meant for humiliation and propaganda.
A stage adorned with anti-Zionist
banners reading “Zionism will not prevail” in Hebrew, Arabic and English
was erected specifically for this occasion. Hundreds of cheering Gazans
surrounded the stage, alongside armed and masked Hamas fighters. The
young women were paraded like prizes of war. The Israeli women were forced to march across
the platform, dressed in military attire given to them by their
captors, and wave to the jeering crowd. The choreographed display
included props, banners and uniforms that were anything but improvised.
This wasn’t a desperate act of an
impoverished people—the narrative that has been spun this entire war. It
was a corporate-like production meant to instill fear, maximize Jewish
suffering and publicize Hamas’s supposed dominance.
Of course, we are all thrilled to have our
hostages returned. Their freedom after such a harrowing ordeal is cause
for immense relief and gratitude. But how they are returned should
matter. The way Hamas conducts these hostage releases is dehumanizing
and calculated to prolong Jewish pain and humiliation until the final
moments. This is not just a hostage handover; it is a theater of terror.
On Jan. 18, a similarly grotesque display
unfolded when three Israeli civilians—Romi Gonen, Emily Damari and Doron
Steinbrecher—were released after more than 470 days in captivity. The
visuals were equally striking: innocent women, visibly exhausted and
terrorized, emerged into a chaotic scene. They were surrounded by
heavily armed Hamas terrorists and jeering Gazans as they were escorted
into a Red Cross vehicle. Media descriptions of this exchange only added
insult to injury. The New York Times described the women as walking “under their own power,” failing to acknowledge the threatening, chaotic environment. PBS referred to the crowd as “jostling,” a term that downplayed the aggression and volatility of the mob as it clawed at the Red Cross vans.
Hamas even involves the Red Cross in these
charades. The International Committee of the Red Cross—a body tasked
with upholding universal humanitarian standards—facilitates these
chaotic exchanges without apparent objection to the humiliating
displays. They legitimize these farcical ceremonies by signing
Hamas-created certificates and turn a blind eye to final efforts to
degrade the treatment of the captives. The hostages are handed
these certificates of release as though they were participants in some
twisted ceremony. Gonen, Damari and Steinbrecher were even given “gift
bags” from Gaza. CNN’s Becky Anderson interviewed the
president of the ICRC, Mirjana Spoljaric Egger, just days later, on
Jan. 22, when Egger admitted in the interview that “there were hundreds
of thousands of people in the street, and I still believe there are
means to coordinate more tightly and to have certain mechanisms in place
that would avoid the exposure of those that need to be brought back to
their families.”
Hamas knows precisely what it is doing. These operations are meticulously planned. They broadcast these exchanges live on Arabic TV and
stage multiple-thousand-dollar digital single-lens reflex (DSLR)
camera-wielding crews capturing every angle, with the videos edited and
mass-produced for global consumption and released within hours.
Consider the stark contrast in how other
hostage releases in recent memory have been handled. When Brittney
Griner was freed from Russian custody, her exchange was conducted quietly,
shielded from public spectacle. Likewise, Trevor Reed, an American
Marine arrested in Russia, was released with no cheering crowds and no
parade only a tarmac exchange.
Yet for Israeli hostages, the release is
radically different—a final hurrah to mock the Jew and broadcast Hamas’s
narrative to the world.
International leaders commend the release
of hostages but fail to acknowledge this final humiliation inflicted on
them up to the last moment. Has the international community tacitly
accepted this degradation as an acceptable cost for freeing Jews?
Imagine if Jewish hostages were treated with the same dignity afforded
to others. Picture a release conducted with privacy, calm and respect
for the victims’ humanity. Of course, this won’t happen—just as there
was never a global rallying cry demanding that Hamas release these
innocent people in the first place.
The tragic reality is that the global
Jewish population will have to endure this awful charade for several
more weeks. We will have to watch as Hamas and Palestinian Islamic Jihad
continue to parade our people in front of the cameras. The childishness
of it—the banners, certificates, staged applause—is as infuriating as
it is dehumanizing. And yet, the world will remain silent, unwilling to
call out the deliberate final act of cruelty so plainly on display.
These videos should be moments of moral
clarity for everyone. They should underscore unequivocally the nature of
Hamas and the terror it inflicts. But the world has accepted that chaos
and humiliation are the price Jews must pay for their freedom.
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